
JP BONINO
Born and raised in Montevideo, Uruguay JP Bonino started taking pictures of punk rock shows. His father who used to be a photographer taught him how to handle light and how to see with a different perspective certain moments that sometimes pass unnoticed to the eye.
The creative spectrum of the Uruguayan photographer JP Bonino is extensive: the same is mounted on the table as an skateboarder who records the globe in search of capturing snapshots, sharpens the lens in fashion shootings or exhibits in different galleries in Buenos Aires, London, Paris and Barcelona, where he currently lives. His work fluctuates between intense, sometimes contradictory, emotions that are not afraid of the sudden transformation of opposites.
When looking at JP’s photos, sometimes there seems to be only a flicker between the absurd lyric and the most poignant existential homesickness: In his images, everyday situations coexist, almost invisible, a force of repetition over and over again, although maximized by his own theatricality.
Becoming increasingly more perceptive and versatile he worked for many clients like Nike, Dropbox, Coca-Cola, Vice, Converse, to name a few. In fashion, he shot several campaigns of Lee, Levis, Lacoste, Dickies, Paloma Wool , and editorials for important magazines as Tank, It’s Nice That, I-D , À Part, Office NY.
The creative spectrum of the Uruguayan photographer JP Bonino is extensive: the same is mounted on the table as an skateboarder who records the globe in search of capturing snapshots, sharpens the lens in fashion shootings or exhibits in different galleries in Buenos Aires, London, Paris and Barcelona, where he currently lives. His work fluctuates between intense, sometimes contradictory, emotions that are not afraid of the sudden transformation of opposites.
When looking at JP’s photos, sometimes there seems to be only a flicker between the absurd lyric and the most poignant existential homesickness: In his images, everyday situations coexist, almost invisible, a force of repetition over and over again, although maximized by his own theatricality.
Becoming increasingly more perceptive and versatile he worked for many clients like Nike, Dropbox, Coca-Cola, Vice, Converse, to name a few. In fashion, he shot several campaigns of Lee, Levis, Lacoste, Dickies, Paloma Wool , and editorials for important magazines as Tank, It’s Nice That, I-D , À Part, Office NY.

GINEBRA MAN

LOUTA - VICE

Schön Magazine ft. Nathy Peluso

PALOMA WOOL

ZALANDO

DROPBOX PAPER


NATHY PELUSO - CALAMBRE

TANK MAGAZINE

Sideguise Magazine

Tini - Cupido Album


MYANMAR BOOK

TANK MAGAZINE

Schön Magazine ft. Nathy Peluso


ANDERSSON BELL


SOL DE LA VILLA

BANANA BOOK

PALOMA WOOL

GINEBRA MAN

NATHY PELUSO - CALAMBRE

PALOMA WOOL

Schön Magazine ft. Nathy Peluso

PALOMA WOOL

PALOMA WOOL

Sideguise Magazine

CHER FRAGANCE

ANTON BELINSKY

ANTON BELINSKY

BEAST LOVER

DROPBOX PAPER

NIKE

DIESEL

JAZMIN CHEBAR

LOUTA

KYIV

TANK MAGAZINE

MYANMAR

MYANMAR

NIKE

GINEBRA MAN

JAZMIN CHEBAR

PARDO HATS

ANDERSSON BELL

TANK MAGAZINE

SIMONA

TANK MAGAZINE

WHUHANG

TANK MAGAZINE


Andersson Bell

Sideguise Magazine

ANTON BELINSKY