
JP BONINO
Born and raised in Montevideo, Uruguay JP Bonino started taking pictures of punk rock shows. His father who used to be a photographer taught him how to handle light and how to see with a different perspective certain moments that sometimes pass unnoticed to the eye.
The creative spectrum of the Uruguayan photographer JP Bonino is extensive: the same is mounted on the table as an skateboarder who records the globe in search of capturing snapshots, sharpens the lens in fashion shootings or exhibits in different galleries in Buenos Aires, London, Paris and Barcelona, where he currently lives. His work fluctuates between intense, sometimes contradictory, emotions that are not afraid of the sudden transformation of opposites.
When looking at JP’s photos, sometimes there seems to be only a flicker between the absurd lyric and the most poignant existential homesickness: In his images, everyday situations coexist, almost invisible, a force of repetition over and over again, although maximized by his own theatricality.
Becoming increasingly more perceptive and versatile he worked for many clients like Nike, Dropbox, Coca-Cola, Vice, Converse, to name a few. In fashion, he shot several campaigns of Lee, Levis, Lacoste, Dickies, Paloma Wool , and editorials for important magazines as Tank, It’s Nice That, I-D , À Part, Office NY.
The creative spectrum of the Uruguayan photographer JP Bonino is extensive: the same is mounted on the table as an skateboarder who records the globe in search of capturing snapshots, sharpens the lens in fashion shootings or exhibits in different galleries in Buenos Aires, London, Paris and Barcelona, where he currently lives. His work fluctuates between intense, sometimes contradictory, emotions that are not afraid of the sudden transformation of opposites.
When looking at JP’s photos, sometimes there seems to be only a flicker between the absurd lyric and the most poignant existential homesickness: In his images, everyday situations coexist, almost invisible, a force of repetition over and over again, although maximized by his own theatricality.
Becoming increasingly more perceptive and versatile he worked for many clients like Nike, Dropbox, Coca-Cola, Vice, Converse, to name a few. In fashion, he shot several campaigns of Lee, Levis, Lacoste, Dickies, Paloma Wool , and editorials for important magazines as Tank, It’s Nice That, I-D , À Part, Office NY.

GINEBRA MAN
2023

LOUTA - VICE
2020

Schön Magazine ft. Nathy Peluso
2023

PALOMA WOOL
2021

DROPBOX PAPER
2020


NATHY PELUSO - CALAMBRE
2020

TANK MAGAZINE
2023

Sideguise Magazine
2022

Tini - Cupido Album
2023


MYANMAR BOOK
2019

TANK MAGAZINE
2023

Schön Magazine ft. Nathy Peluso
2023


ANDERSSON BELL


SOL DE LA VILLA
2020

BANANA BOOK
2020

PALOMA WOOL
2021

GINEBRA MAN
2023

NATHY PELUSO - CALAMBRE
2020

PALOMA WOOL
2021

Schön Magazine ft. Nathy Peluso
2023

PALOMA WOOL
2021

PALOMA WOOL
2021

Sideguise Magazine
2022

CHER FRAGANCE
2019

ANTON BELINSKY
2020

ANTON BELINSKY
2020

BEAST LOVER
2020

DROPBOX PAPER
2020

NIKE
2020

DIESEL
2020

JAZMIN CHEBAR
2020

LOUTA
2020

KYIV
2020

TANK MAGAZINE
2020

MYANMAR
2020

MYANMAR
2020

NIKE
2020

GINEBRA MAN
2023

JAZMIN CHEBAR
2020

PARDO HATS
2021

ANDERSSON BELL

TANK MAGAZINE
2020

SIMONA
2023

TANK MAGAZINE
2020

WHUHANG
2020

TANK MAGAZINE
2023


Andersson Bell x JP Bonino
2023

Sideguise Magazine
2022

ANTON BELINSKY
2020